Film Festival Submissions for Beginners

Red carpet of the Palais des Festivals et des ...
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The film festivals that take place worldwide make up a large part of the cinema marketplace, which increases each year. The market for independent film has become a genuine competitor to the Hollywood film industry. Since breaking into Hollywood is more difficult, most new filmmakers choose to show their films at independent film festivals. Film festivals gather hundreds of thousands of industry professionals, which gives the newcomer a chance to network and show off his or her talents.

For the filmmaker submitting his or her work to a film festival for the first time, it can be overwhelming. Understanding how and what a film festival takes are important. If time is wasted on submitting a film to a festival that does not accept the genre or style, then less time can be given to festivals that will accept the work.

Competitive film festivals do not accept most applications, but do offer a section for first-time submissions. The reason behind the tough submission guidelines is to keep the focus on professionalism. Since most submissions come from seasoned filmmakers, it can be difficult for a new filmmaker. Even if the festival rejects the first submissions, working toward getting accepted is the main goal.

Smaller film festivals targeting new filmmakers are a perfect place to start. By creating awareness of your work, you can build a network of budding filmmakers. Smaller film festivals have a competitive segment, but mostly focus on showcasing new films. Submissions to these festivals are easier to receive acceptance letters. If a film wins in the competitive segment at the smaller film festivals, the eyes and ears of industry professionals are aware of its success. By creating a brand name to your films, you can create a name that will be remembered when it is time to make a submission into a larger, competitive film festival.

What Gets Into Film Festivals

Cate Blanchett at the Berlin Film Festival 2007
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Do you get allured by the glitz and glamour of some of the movie worlds hottest film festivals? If you do then you are not unlike so many other filmmakers who decided that the best place to display their vision and their dream is at a film festival. You might be at home right now thinking about doing the same thing. You might have the script in mind that will really say something about you and your view on the world. You might have something to share and hope that it will be you receiving awards and making movie industry contacts. But if you are going to imagine your name in lights then you need to be smart enough to know the score and what you need to make it into the big film festivals.

The first thing that matters and the only thing that should really matter at any time is the story. You know you won’t have the budget you will want to work with special effects and these action packed storylines. You know that the most important part of the movie you want to make is to have meaningful connections and relationships between characters. Make your story about that and everything else will fall into place.

The next most important thing is the sound. You can have all the great cinematic shots that you have ever dreamed of. You can have cameras coming from all over the shot and you have the best story line imaginable but if no one ever hears the dialogue the movie then becomes an audition reel. You need to make sure that if you can only afford to pay for one thing then pay for the right sound person. Without that your movie will fail. There is no getting around it. This should be all that matters to your film. Sound and story.

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Hearing No From a Film Festival

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So you have poured your heart and soul into your movie. You begged your friends and family to be a part of it. You pleaded and pleaded for friends and family for equipment. You have done everything you can think of to make this film the best it can possibly be. You cut it and mastered it and have sent it off to the film festivals. You have been waiting and day dreaming about what it would be like to be a participant in a film festival but then you start getting rejections. It gets to be a bit depressing. You are tired of hearing the word no and the more you hear it the less you know how to overcome it. So here is how to face rejection on the film festival circuit.

The first thing to do is not to take it personally. There are hundreds and thousands of applicants trying to get their films seen. They are working hard too and so when a film festival goes ahead and gives you a big no don’t take it personal at all. They have to weed people out and for whatever reason they didn’t choose your film. The reasons for rejection are endless and therefore you should know that each festival has it’s own criteria and standards and it’s not a reflection of your movie but rather a reflection of the festival and what it is looking for.

Sometimes some smaller film festivals will be gracious enough to give you notes on your movies. Read these notes. These notes are valuable. They can provide insight into what your movie needs more or less of. Make sure you are ready to take them to heart. Even if they are harsh you can find ways for them to be helpful to you.

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Making Movies For Less

Academy Award for Best Foreign Language Film
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If you watch enough television and read the press on the yearly film festivals you will see one trend is true of young filmmakers. Everyone seems to be doing it for less money than ever before. If you are the aspiring filmmaker watching and reading about your favorite movies doing big things on little bucks then you are probably wondering what it is you can be doing to get your film to the next big festival and how you can do it for cheap. Well now it’s time you found out just how good your film can be and just how cheaply you can do it.

There is no substitute in your film for good acting. While you won’t be able to bag an Oscar winner you should be able to get some really good local talent. The first instinct is going to be to bring in your friends to play the parts. You should think a little bit before doing that. Keep your friends involved where they belong. In front of the screen is fine if they are truly that talented but get better actors for your biggest parts. Most actors will do it for a copy of the film and credit in the budget.

Lights are another source of big money that doesn’t have to be. The easiest(but most complicated scheduling wise) is to film in the daytime. Natural light shows up the best on film but isn’t right for every shot. For the other indoor shots use a set of work lights and buy some gels. You can do this all for under 150 dollars and should last you for a four or five day shoot.

Make sure that with a solid script and solid acting you don’t miss anything in the footage. If you shoot on digital then you can shoot extra.

Doing A Movie For Less

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One of the biggest trends in Hollywood and for movies all over the world is doing the movies for less. If you look at some of the smaller, more independent features that have come out recently you’ll see that there is a lot of movies done cheap. You might be holding on to that script and thinking you hold the idea to the next great movie but the only problem is, you don’t know how to do it for less. This isn’t the end of the world and it isn’t the end of your movie career. You just need a little friendly advice. If you are ready to take the plunge into cinema for less then let the lesson begin.

The first thing you must do is sure up that script. Nothing will sink your movie quicker than a script that no one wants to see on the screen. Do your best to make sure that it works. First thing to do is get a set of eyes on that thing that aren’t your own. Sometimes having an honest outside perspective will allow you to see your script for what it is, and what it isn’t.

The next thing to do is have a table read. This is where you get a group of perspective actors and let them read it out loud. This will be valuable as you can’t often find the holes in your language until you head others read it outloud. Take the time after the reading to get real feedback from people. It will help to hear how the actor was able to pick up on the words that you wrote. Don’t get upset by anything you hear. Everyone is trying to help you. Once you have your script ready to go then everything else will fall into place and movie magic can officially begin.

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